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I believe I have found a way to extract the most enjoyment out of a yarn purchase. Some years ago, probably at least five years ago, I was on a brief respite from the very hot and dry foothill summer. There is a place my fiber enabling husband and I like to visit on the Mendocino coast.

We always take the cottage with the view of the ocean and we usually manage to spend at least a few hours visiting the town of Mendocino. And, of course, like any good fiber fanatic with an enabling husband, we visited the Mendocino Yarn Shop that used to be in town. I say “used to be” because I just found out that it moved a few miles closer to the cottages where we stay. In fact, I can now walk there from the cottage. Yes, that does sound dangerous. At least until you realize that a sale purchase from at least five years ago is still providing lots of enjoyment. And the garment isn’t even finished yet!

When we first visited the shop, they had four skeins of Araucania Ñuble yarn on sale. It was the last four skeins and one of the tags says it sold for $12. This is a beautiful lace weight 75%/50% extra-fine merino/silk yarn in a tonal aqua color. It spoke to me of water, the ocean that I so miss living near, and it spoke to me of a circular lace shawl. Of course, I could not leave these last four skeins sitting there; they had to come home with me.

As knitters, we often like to start new projects. I am no different, but I am trying to limit how many projects I have going at any one time. I also spend a lot of time spinning and weaving. And there have been several dyeing projects between when I purchased the yarn and when it first went on the needles. So, I used the yarn for decoration in my fiber room. And it sat on the shelf for years while I looked for just the right pattern and started many other projects, finishing most of them.

Finally, the time came. I decided on and purchased the Guinevere Shawl by Anne Podlesak and set it up in KnitCompanion. It was light weight and compact and I took it on our August 2019 trip to Sweden. I even began the project before departure so that I was sure this would be a good travel knit. I used Emily Ocker’s cast-on method to begin the shawl, which is lace knitting in the round. The pattern has four charts and, like most lace knitting, is somewhat difficult to see the overall effect before it is blocked. So, with the beginning worked out prior to departure I was ready, and I knitted on. It was an enjoyable knit, with some tinking, to be sure, but it was pleasant yarn to work with.

Maybe I was too busy seeing other things because by the time I returned from Sweden and was onto the third skein of yarn,

I was starting to see that my lace patterns were not stacking up like they were supposed to. So, after about two months of knitting (I am not a fast knitter and always have multiple projects going), I was going to have to frog this project. All of it. Every last stitch. I had misinterpreted the charts in a pretty major way. Somehow, this one got right past me. But I enjoyed the yarn, knew I liked the pattern (especially when correctly executed) and really wanted to complete the project. So, another Emily Ocker cast on, better understanding of the pattern, and I was, once again, knitting with the yarn that had been decoration for so long.

Well, the project sat on the needles for another two months, at least, while holiday gifts were completed. Four woven scarves, a woven lace table runner, 10 woven mug rugs, a number of woven kitchen towels, two knitted hats, a knitted cowl, and a knitted Christmas stocking later, I was ready to get back to this lace project.

Now this project only competes with my combo-spin sweater (which has also languished on the needles for few months), my weaving and spinning, and other activities of daily living.

I’m on the last chart, all seems to be going well, and all I can say is that I have certainly enjoyed this yarn! For a long time, for many times!

It has been a good investment. I hope to soon be enjoying the finished object. I’ll end with the photo I sent my two adult kids on New Year’s Eve, which I spent quietly knitting at home. Cheers!

 

 

 

 

Fiber enthusiasts often become tool enthusiasts. It doesn’t happen overnight, however. I had only one pair of knitting needles for decades. I still have them. Susan Bates straight needles in a US size 8. They are pink and were given to me by a neighbor who taught me to knit when I was in grade school. When I returned to knitting in the late 80s and early 90s, I complained about buying two sets of needles for one project. At that point I was buying the least expensive bamboo needles. Budget was always an issue in those days and the cost of needles was something to consider, especially given the cost of yarn, parking, housing, child care …

Fortunately, budgetary constraints are not what they once were, I now know much more about knitting needles, and I recognize the value of good tools. Unfortunately, the tendency to start new knitting projects before finishing old ones has prevailed and led to the acquisition of many knitting needles. Also unfortunately, the concept of a needle exchange program has never appealed to LYS owners. I really think this is something to explore! If there ever is a needle exchange, you will not find my Signature Needle Arts double pointed stiletto needles. The offspring once needing child care are now wonderful adults who gifted me with a range of these double point needles over a couple of years. I’ll not be parting with these fine tools, thank you very much!

 

I never had much of a relationship with household tools until I owned my own home and was a single parent. Then it became important to have basic tools like a hand-held drill, hammer, screw drivers, nuts and bolts, plyers, level, and measuring tape. I was a bit excited about a stud finder – the kind that finds studs in walls, not dating sites. But such tools were just part of the garage or basement, depending on where I lived, and came out to play only when needed. In the meantime, I acquired a number of fiber arts tools: spinning wheel and all that goes with that, hand cards, drum carder, wool combs, and materials for dyeing. That all seemed fairly manageable and did not require much in the way of fixing, trouble shooting, or any other DIY-type of efforts. The biggest problem with all these tools is the real estate to house them.

When my now husband moved in with me and my kids, he brought along his tools and when we bought a house together, my tools suddenly disappeared. The challenge of finding a screwdriver or plyers did not escape my notice, but he usually was able to offer what I needed. I didn’t think much about it until I had my first loom, a four-shaft counterbalance, and went looking for my level. I realized I had not seen any of my tools in several years and they were nowhere to be found. Not only that, but I couldn’t find any of his tools, either.

DH (Dear Husband in Ravelry speak) is a very busy man and has his own way of organizing his things. By this number of years in our shared home, his organization schema for things in the garage, where tools are kept, was approaching what I call chaos. So, I did what any independent and pragmatic fiber lover would do. I purchased a new set of tools and tool box and pronounced them OFF LIMITS. I keep them in my fiber closet. DH is required to sign a contract before he borrows anything. We joke about it, but he also knows I am dead serious about it. And he never goes to get a tool without asking.

 

As a weaver, tools took on a new importance to me. Looms sometimes need fixing and adjusting and some maintenance is required. I like to think I take care of my looms. They get preventive maintenance at least once a year and I regularly remove lint build up, check them over between projects, and adjust whatever needs adjusting. Ok, I talk to them, too. Nicely. I appreciate these fine tools.

Of course, along with weaving comes a need for ever more tools, such as bobbin winders, bobbins, shuttles, temples, warping boards and mills, cone holders, warping sticks or paper, reeds, reed holders, reed hooks . . . the list goes on. Recently, I had the opportunity to put my original knitting needles to work on a weaving project. I used them to make a spool rack for winding bobbins with linen. It actually did result in less twist going into the linen as I wound the bobbins.

 

 

As a knitter, I have been combining old and new technology for a number of years. Knitting is an ancient art and important means of making clothing. Today we have coated extra sharp circular needles made of materials never dreamed of by the hardworking islanders who knitted Aran sweaters to keep their fishermen warm. And while I’m knitting one of those sweaters today, I’m using technology in the shape of a digital database (Ravelry) and an ingenious app (KnitCompanion). As a beginning backstrap and Baltic band weaver, I’m using the ancient technique of backstrap weaving with my iPad and two apps: PatternGenius to create a chart and KnitCompanion to display that chart and track my progress with the pattern. I couldn’t be happier!

 

 

Loom weaving is an age-old art, too. And today weavers are combining new technology with the creation of cloth. One look at the plastic box on the castle of my Mighty Wolf loom and you know this is true because such materials are relatively recent. (Of course, a jack loom is also a recent invention!) This plastic box would be the brain for my Tempo Treadle (TT). I’m surprised more weavers don’t know about this amazing tool! Strong magnets are attached to the bottom of each treadle. Below the treadles is a sensor array that senses the proximity of the magnet when a treadle is pressed. By way of a ribbon of wires connecting the sensor array to the CPU or brain, this sends a signal. The draft, in the form of a Weaving Information File (wif), is copied from a computer with weaving software to a micro SD card that is inserted into the CPU. So, when an incorrect treadle is pressed, as happens often in my many treadling errors, a tone (I have it set to a loud bleep) is emitted, announcing that I’ve pressed the incorrect treadle. For someone who always moved left when the yoga teacher said right, this is a miracle! It is a gift to be immediately informed you are about to make an error that you otherwise may not see for a few inches. If only I could calculate the amount of time, energy, and materials this has saved I could say that TT has paid for itself! TT performs many other functions, but this describes why I most love this little tool.

At Convergence 2018 I had the good fortune to meet one of the makers of TT, Dawne Wimbrow. Barry Duncan is the other maker. Each device is built upon ordering and a 3-D printer is involved. There is definitely software and hardware development involved, each device is built to the specifications of the type of loom being used, and TT is not available for every type of loom. One thing I can say for certain is that Dawne and Barry offer the very best customer service. I can send a question or problem via email on a Sunday evening and have an answer from one or both within minutes. They are thoughtful and helpful, problem solving whatever issues or questions I have had and to date, the issues have always been operator error. Well, there is a learning curve.

It must be said, however, that to use TT, one needs weaving software. And to use weaving software, one needs a reliable computer. More tools. More to learn, more to do, and more assistance provided. I resisted weaving software for the first few years . . . and then I gave in. I am learning as I go but already, I see advantages over pencil and paper. As much as I loved studying Madelyn Van der Hoogt’s Complete Book of Drafting, and I truly did enjoy it, I disagree with those who say that weaving software takes away from learning weave structure. With software I’m not coloring in each square on graph paper, but I can learn plenty about a drawdown and I can also learn how to manipulate a draft and see the results fairly instantaneously. I have miles to go in this department and, in the meantime, I’m having an awfully good time of enjoying my tools.

While I have great appreciation for a number of these tools, there is one tool that is near and dear to my heart. This tool, the single tool that prompted me to write about tools, is likely nearing 100 years old. I use a cloth measuring tape that may have been my grandmother’s. It was definitely my mother’s and I believe it had been her mother’s before. I found it in the round thread and button tin with the darning thread and the sock darning egg that had been my grandmother’s. In fact, that round tin was my grandmother’s, too. Recently I developed a nostalgic appreciation for the tape measure that is so often pinned to the new cloth I am weaving.

 

The nostalgia is illogical. No family member I know of was a weaver or knitter and such handcrafts were not valued when I was growing up. In fact, I don’t know when my mother would have ever used the tape measure. But it represents a point of connection with a past that was lost.

No one in the family ever discussed all the emigration that took place and I have only recently pieced that together with current day research. My grandparents, all the first generation to be born in this country, died before I was born. My parents are now many decades deceased.

No doubt somewhere in my family tree, on a different continent, someone in my family created some type of cloth, either knitted or woven, and more certainly, someone took needle and thread to cloth. Now I am the individual spinning, knitting, and weaving and taking needle and thread to my woven cloth. Some of that cloth is given to my adult offspring and so it goes forward.

And so, when I look at the old cloth tape measure on my newly woven fabric, I am looking at much more than a simple tape measure. Even if cloth tape measures were more available today (and many of us do wish that), I am looking at so much more. It is something I feel in my heart and it fills me in a lovely way when I weave. I think I can best sum up that heart feeling as gratitude and appreciation. That would be for the past, distant and not so distant, and also very much for the present.

 

♣

 

 

A Meditation in Lace and in Complicated Cables

I have often talked about how healing knitting can be. It is therapeutic. In fact, I have a project bag that says, “Cheaper than Therapy.” I’m not sure that is accurate, given the very low therapy reimbursement rates and the very high cost of good yarn, but knitting is good therapy.

 

Knitting builds community, reinforces efficacy and agency of an individual, distracts one from challenging issues, and there is absolutely NOTHING else in life that you can so easily undo. Think about that. Maybe because I was a single parent with so much riding on my shoulders, maybe because I held people’s lives and minds in my hands in health care for over 40 years, maybe because I was witness to so much suffering in pain in others, that seems like a great thing to me.

Community: Knitting brings together people who otherwise would not spend time with one another or get to know each other. People share with one another, help each other, and, yes, let’s be honest, enable each other. And most often, knitters are very nice people when they sit and knit together. Most often there is comradery, support, and a bond that develops.

Efficacy: There is nothing like completing a project to know that you can accomplish things. (This goes a little sideways when you start more projects than you finish!)

Distraction: Can you really think of anything else when doing complicated lace and intricate cables? Observe, without judgement, what happens when you try knitting complicated lace and cables while you are thinking about other things!

Undo: Wouldn’t it be really grand if we could undo mistakes in life as easily as we can undo mistakes in knitting? Think about that and it makes tinking and frogging that much more appealing. All I have to do after an error is unknit and knit again. A great lesson in impermanence, too.

♦

I enjoy complicated lace and intricate cables. It is challenging, fun to knit, and, depending on the pattern, it can be like getting caught up in a great novel: you can’t wait to see what happens next. For me, complicated lace and intricate cables are even more enjoyable when I apply principles of Mindfulness Meditation practice to a project.

Patience is an important concept in mindfulness and also in complicated knitting. One stitch at a time to create a large shawl. Stay present with each individual stitch as one stays focused on a single breath at a time.

Acceptance is an important concept as well. I have to accept that I am going to tink that 400+ stitch row in order to have a shawl that is knit correctly. And, just because I have tinked that row twice already, I will not be judgmental about my seeming lack of skill. I will be non-judging and patiently knit this correctly and I will enjoy each stitch and each breath. Ahhhh, feel that deep breath! Now, that is good mindfulness practice! And when I approach this row for the third or fourth time, I will approach it with beginner’s mind. Such receptiveness will help me solve whatever problem I was having with those confusing directions and knitting symbols. I will be able to see through the confusion.

There used to be a great deal of trust involved in undertaking a complicated pattern. One had to trust that the designer knew what they were doing and had adequately tested and edited the pattern. This is no longer such an issue, thanks to Ravelry. After a bit of searching and browsing, one can now find all sorts of comments about patterns, designers, and issues that come up in knitting a pattern. Now I have to trust myself to be careful, thorough, and to choose projects wisely. Of course, this initially may seem to contradict the principle of non-striving. If I am striving to complete a project, then I am not really being mindful. Fortunately, I am as much a process knitter as I am a product knitter. If I am enjoying what I am doing, then I can be patient and just enjoy the knitting.

Sometimes the principle of letting go proves difficult in knitting. When you have a certain vision in mind and the finished object does not match that vision, letting go takes on new meaning. Such was my experience recently.

♦

For a few years I have wanted to knit the Pfingstrose shawl by Haley Tsang Sather. This is a beautiful and large shawl based on a Herbert Niebling pattern of the same name. In English, it means Peony. A year and a half before beginning, I purchased yarn for the project at Stitches West. The yarn is Shaska Designs 50/25/15/10 Alpaca/Wool/Silk/Cashmere. It turns out that this lovely yarn has a bit more halo than I wanted for this project, my first opportunity to practice acceptance and letting go. What else would I do with all that yarn? Being a pragmatic individual, I wanted to use what I had purchased. It also turns out that this yarn splits and, because of the halo, is challenging to unknit. More practice opportunities.

I knit with a fantastic app called KnitCompanion (kc) and kc has a version of this pattern that is already set up. This is a wonderful thing because there were 11 different charts and within some of the charts, there were multiple components. For me, the few extra dollars for this version of the pattern is definitely worth the investment when it is available. It saved me many, many hours of set up and correction time. A wonderful opportunity to notice and practice appreciation.

Many individuals have knit this pattern and posted on Ravelry so I did not have to head into this blindly. I picked up lots of hints and tips to make this challenge easier. The designer is readily available through Ravelry and was very responsive to questions. So, with all of this support and a solid practice of Mindfulness, I set off to knit this beautiful shawl.

♦

I don’t recall how many times I restarted but I do know I had to cut off some of the yarn due to overuse. Apparently, I love a good knitting challenge. Sometimes I would get through a chart with few problems but other times I had to backtrack and begin again. I slowly worked my way through about half of the charts and then had to set this project aside while I completed holiday gifts for family and friends. After hibernating for at least three months, I pulled out this project and, amazingly, was able to pick up where I left off. I thank kc for that. The app holds my place exactly.

The process of knit, unknit, knit again continued but it was more like a fun puzzle than any sort of problem. I enjoyed figuring out how to make the stitches look like they were supposed to and watching the shawl grow. It was timely that I was taking a brief break from my usual routines because this was not exactly social knitting; focused concentration was required. The brief break also yielded plenty of time at home so I could sit and knit. I was fortunate to have the time and space.

In the end, the knitting went pretty quickly. Well, relatively speaking. Rows with more than 400 stitches of beads and lace do not go quickly but once I was more monogamous with this project, I was able to complete it sooner than anticipated. Then came the next challenge. The very last row of the entire shawl looked, in my humble opinion, like crap! A picot bind off with too many yarn overs in the proceeding row, combined with yarn with too much halo that would not unknit after binding off ended up looking like boucle yarn in the very last row and that is NOT what I was aiming for. So, I had to let go of my expectations. I had to accept. I had to do a lot of breathing. OK – to be honest there was a bit of cursing, too. In the end I have a beautiful shawl of complicated lace and beads with a not so nice-looking bind off. And, in the end, I enjoyed the challenge of both complicated lace knitting and being mindful about it all. So, I accept my nice shawl with the funky edge.

In between lace sessions and then after completing the shawl, I finished my complicated cable cape.

It began as a challenging knit, providing ample Mindfulness practice opportunities, and ended up a bit boring (no fault of the designer), providing a different kind of practice opportunity: patience and presence.

And I am always better off practicing patience and presence.

Happy knitting and breathing!

 

 

 

 

 

 

 

 

 

 

Hello. My name is Donna. I am a fiberholic, an addict.   

Knitting was my gateway drug. Hallmarks of addiction were quick to be noted by loved ones. I was always thinking about ways to get more yarn or new needles and knitting was taking me away from domestic chores. Then there was knitting while I was supposed to be paying attention as a good soccer mom. Truth be told, I used knitting at work. At least until I was told I couldn’t knit at staff meetings any more. Knitting kept me calm and worked better than duct tape at those long meetings! I kept a hard line about knitting while I was driving – no way! At least that I could think of. I did try to start a needle exchange at our LYS but the store thought it would be bad for business.

I don’t think I would have made the leap to spinning for a long time except for the company I was keeping. My partner is the number one co-dependent enabler. He’s so encouraging! If you want to know how bad it gets, here it is: when he thought he was going to be laid off from one of his jobs he told me to get that new spinning wheel right away before the money was gone! And recently, when I was saying no way to spending money on a Woolee Winder, what does he do?? He hung out with other fiber addicts and listened to how great the WW is and then bought me one!

From spinning it was on to hand cards and then a drum carder and more recently, an even better drum carder. Of course, there’s color blending and dyeing happening, too. So, yes, I was taking the substance in larger and larger amounts, spending lots of time procuring and using fiber and when I was stuck at work (the day job that pays for all this fiber activity), I did have cravings to play with fiber in one way or another. And daydreams of color and texture! I can’t (and don’t want to) get them out of my head. I did manage to fulfill my family and occupational activities, but sometimes not without a degree of resentment. Socially, well, I do best in groups of other fiber lovers. Otherwise, I am more likely to stay home and knit, spin, weave, or plan more projects.

I know that long periods of repetitive motion, as with knitting needles in my hands or bent over my loom, can harm me and put me in danger of physical problems. Does that stop me? No way! So, yes, I have continued to use even though it may make things worse. But I really don’t see using a drum carder as dangerous – usually. So, no alcohol is used while carding, weaving, or knitting. I do engage in one dangerous thing related to fiber: fiber and fiber equipment have filled our house and can be considered a dangerous environment. Stepping on beads, stitch markers, and other miscellaneous things can hurt bare feet and bumping into looms and baskets of yarn in the dark night can be hazardous. Ask my partner how I know this.

Still, I don’t think things got out of control until a few years ago when I really hit the hard stuff: weaving. Oh my! That’s a deep rabbit hole! I really can’t say how all those looms started accumulating! And I must have been in a black out when that 1973 Gilmore came home with me and joined the herd. Its true: I am more likely to neglect household responsibilities now and I just flat out refused more than one day per week on the income producing job because I am so driven to stay home and weave. And when my partner is writing and I’m engaged in fiber arts, well, we need a keeper. Or at least someone to feed us once in a while.

The good news is that I do engage in group therapy. I meet regularly with a weaving study group. Our big book is MdvH’s Complete Book of Drafting. It has more than 12 steps, I will rely on this book for a lifetime, and there is always more to learn from it. I think the group therapy is helping. I no longer search out yarns shops everywhere I go and I can say that I feel satiated for knitting yarns. I stopped acquiring looms and don’t feel any shaft envy at all, even though I only have eight shafts. It is too bad that with three looms having eight shafts each I still can’t weave 24 shaft drafts, but that’s ok. I can accept that.

So, I’m hopeful and grateful. I’m going to be ok. I’m learning and growing as a human being and I know I will always need the support of a fiber guild. In fact, I’ll be off to a meeting shortly . . .

         NOTE: After more than 40 years in health care, with the last 20 in mental health, my current and former clients and patients know that I take addiction and associated struggles very seriously. This is written with great respect for the individuals I’ve worked with and learned from. Many have struggled valiantly to deal with all manner of addictions and I graciously bow to them. It is also written with a wink and a nod to those of us with SBLE (Stash Beyond Life Expectancy) and in honor of those trampled in the crazed stampede at Stitches West. The latter would include my dear fiber enabling spouse who has been run over by wheelchairs, tossed out of lunch chairs, and stepped on mercilessly when we attend the marketplace. And he keeps taking me back.